Myeongdong is captured as a grand theater where shops become stage sets, vendors and consumers perform as actors, and passersby play the role of audience. The work documents the spectacle of commerce as an urban performance.
This series captures the textures of time lingering in Cuba’s streets and people. In the contrasts between poverty and joy, foreigners and locals, it reveals the enduring faces of time.
London embodies traces of empire and the Industrial Revolution, where layers of past and present coexist. The city is explored as a museum of dignity and a corridor of time.
Paris is portrayed as an atelier of sensibility, a garden of emotion where art breathes. It reflects both the memory of industrialization and the coexistence of diverse modern lives.
